Most story problems aren't sentence problems. They're structure problems—and by the time you've drafted 90,000 words, they're expensive to fix.
An outline review catches them while they're still cheap.
I read your outline as someone who reads 150+ books a year in this genre and has published 20+ novels of my own. You get an honest read on whether the story holds together before you commit months to the draft.
What I look at:
• Structure and pacing—where the middle sags, where you're rushing
• Plot logic—gaps, coincidences, things that don't hold up
• Character arcs—do they actually change, and does the plot force them to
• Stakes and tension—whether they escalate or plateau
• Genre expectations—for romance and paranormal romance, whether you're hitting the things readers came for
• Worldbuilding consistency—rules that contradict each other or get introduced too late
What you get:
• A written feedback report (typically 2–4 pages) covering what's working, what's not, and specific suggestions for fixing it
• Notes tied to particular beats or chapters, not vague impressions
• One follow-up email round for questions
Turnaround: 3–5 business days
What I need from you: Your outline, synopsis, or chapter-by-chapter breakdown—up to 10,000 words. Plus your genre, target word count, and anything specific you're already worried about.
Please note: This is feedback on story and structure, not a line edit. I'm reading your outline, not your prose.
Most story problems aren't sentence problems. They're structure problems—and by the time you've drafted 90,000 words, they're expensive to fix.
An outline review catches them while they're still cheap.
I read your outline as someone who reads 150+ books a year in this genre and has published 20+ novels of my own. You get an honest read on whether the story holds together before you commit months to the draft.
What I look at:
• Structure and pacing—where the middle sags, where you're rushing
• Plot logic—gaps, coincidences, things that don't hold up
• Character arcs—do they actually change, and does the plot force them to
• Stakes and tension—whether they escalate or plateau
• Genre expectations—for romance and paranormal romance, whether you're hitting the things readers came for
• Worldbuilding consistency—rules that contradict each other or get introduced too late
What you get:
• A written feedback report (typically 2–4 pages) covering what's working, what's not, and specific suggestions for fixing it
• Notes tied to particular beats or chapters, not vague impressions
• One follow-up email round for questions
Turnaround: 3–5 business days
What I need from you: Your outline, synopsis, or chapter-by-chapter breakdown—up to 10,000 words. Plus your genre, target word count, and anything specific you're already worried about.
Please note: This is feedback on story and structure, not a line edit. I'm reading your outline, not your prose.
